Best golf courses near Sheboygan, WI

Pete Dye transformed a dead flat abandoned army air base along a two-mile stretch of Lake Michigan into an imitation Ballybunion at Whistling Straits, peppering his rugged fairways and windswept greens with 1,012 (at last count) bunkers. There are no rakes at Whistling Straits, in keeping with the notion that this is a transplanted Irish links. It has too much rub-of-the-green for the comfort levels of many tour pros, which is what makes it a stern test for top events, such as three PGA Championships, the 2007 U.S. Senior Open and 2021 Ryder Cup.

The Irish Course has the same manufactured dunescape found on its more famous sister Straits Course, but with three major differences. The fairways are bent grass, not fescue. Carts are allowed, although confined to cart paths. (It's walking only on the Straits, thought both 18s are relatively easy to walk.) And the Irish has the only blind par 3 found at Whistling Straits, the 13th playing 183 yards over sand hills to a huge green ringed by more than a dozen bunkers. It doesn't get more Irish than that.

Not much is known about Harry Smead, the architect who built Pine Hills in the 1920s. Compared to his contemporaries, his portfolio of courses is small and quiet, with one exception: Pine Hills. Pine Hills is an eruption of contour as holes are draped like linen over brawny knees and elbows of earth. Fairways pitch this way and that going where the land takes them, and Smead's greens are miniature versions of the natural movements, full of swales, knobs and dips. The first hole sets the tone, a par 4 that banks of slopes like a roller coaster swooshing into an elevated green. The fourth, coming back the other direction, tackles the same topography, pitching off the opposite tilt, plunging down toward a tabletop putting surface. The par-3 fifth looks like the slalom course climbing steeply toward a jetstream green. And on it goes. Drew Rogers has been tending to the course over most of the last decade, polishing this and burnishing that but leaving the remarkable green contour alone. A notable improvement was removing the forest of trees along the inside of the curving par-4 18th, exposing the ravine on the left and giving players something sinister to think about as they tee off. If Smead had designed more courses like this, we'd know his name as well as we do Perry Maxwell or Seth Raynor.

Pete Dye transformed a dead flat abandoned army air base along a two-mile stretch of Lake Michigan into an imitation Ballybunion at Whistling Straits, peppering his rugged fairways and windswept greens with 1,012 (at last count) bunkers. There are no rakes at Whistling Straits, in keeping with the notion that this is a transplanted Irish links. It has too much rub-of-the-green for the comfort levels of many tour pros, which is what makes it a stern test for top events, such as three PGA Championships, the 2007 U.S. Senior Open and 2021 Ryder Cup.

The Irish Course has the same manufactured dunescape found on its more famous sister Straits Course, but with three major differences. The fairways are bent grass, not fescue. Carts are allowed, although confined to cart paths. (It's walking only on the Straits, thought both 18s are relatively easy to walk.) And the Irish has the only blind par 3 found at Whistling Straits, the 13th playing 183 yards over sand hills to a huge green ringed by more than a dozen bunkers. It doesn't get more Irish than that.

Not much is known about Harry Smead, the architect who built Pine Hills in the 1920s. Compared to his contemporaries, his portfolio of courses is small and quiet, with one exception: Pine Hills. Pine Hills is an eruption of contour as holes are draped like linen over brawny knees and elbows of earth. Fairways pitch this way and that going where the land takes them, and Smead's greens are miniature versions of the natural movements, full of swales, knobs and dips. The first hole sets the tone, a par 4 that banks of slopes like a roller coaster swooshing into an elevated green. The fourth, coming back the other direction, tackles the same topography, pitching off the opposite tilt, plunging down toward a tabletop putting surface. The par-3 fifth looks like the slalom course climbing steeply toward a jetstream green. And on it goes. Drew Rogers has been tending to the course over most of the last decade, polishing this and burnishing that but leaving the remarkable green contour alone. A notable improvement was removing the forest of trees along the inside of the curving par-4 18th, exposing the ravine on the left and giving players something sinister to think about as they tee off. If Smead had designed more courses like this, we'd know his name as well as we do Perry Maxwell or Seth Raynor.