By Jim McLean
Photos By Stephen Szurlej
March 2008
The wrist action you use with a paintbrush is similar to that needed in the golf swing. It's one of the most vivid images we use in golf instruction. I first learned it years ago from my own lessons with Ken Venturi and George Fazio.
The premise is that when you paint, the handle leads the bristles in a loose-wristed motion back and forth. Same holds true in a good swing: The handle leads the clubhead. This is especially true on the downswing, where clubhead lag leads to an explosive delivery for crisp, powerful shots. Think of Sergio Garcia's swing, with the clubhead lagging well behind his hands until just before impact.
Next time you hit balls, think about a relaxed-wrist painting motion. You might be surprised how easy it is to hit the ball solid.
Ranked No. 4 on Golf Digest's list of America's 50 Greatest Teachers, McLean is based at Doral Golf Resort & Spa in Miami.
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